In response to 20th October article by Kenan Malik: Pumping the unemployed with weight-loss drugs echoes Victorian attitudes to the poor.

In response to 19th October article by Harriet Sherwood: Carey asks faith leaders to back 'compassionate and principled' assisted dying bill

“There have been many fundamental shifts in the IT space, such as the internet and the ecommerce revolution. This is the biggest one..."

Regulators must define a “minimum set of data” to be shared between banks that would still “serve the purpose” of fraud detection.

In the wake of ex-One Direction member, Liam Payne’s tragic death on 16 October 2024, calls are mounting for better safeguards for artists.

On 15th October, in the bowels of Westminster Hall, the UK Anti-SLAPP Coalition met with campaigners, lawyers, lobbyists and reporters...

The 9th October would have marked John Lennon’s 84th birthday. It has been commemorated by the release of a series of Mind Games re-mixes.

In response to 29th September article by Catherine Bennett: Any ice-age telepaths out there?

"Frockgate" gives me the same feeling I had when I first read Orwell's allegorical Animal Farm.

In response to 1st September article by Barbara Ellen: Oasis are back. So why all the hatred?

Simon Tisdall tries to group Putin, Netanyahu and Trump as the three great despots of the modern age.

The story of my life and music: from the formative tracks, to living in the birthplace of radio, to my favourite up-and-coming artists.

UK Music’s This Is Music Creators’ Survey of 2023 painted a bleak picture of Britain’s post-Brexit music industry.

Pond has released a brand new album, Stung!, and it’s a squelching doozy

In response to 18th August article by Kenan Malik: Defending working class interests requires more than simply opposing immigration

In response to 11th August article by Sarah Manavis: Are you a brat girl or a trad wife? Why female microtrends are piling up fast

What is embedded finance? What's at stake? Where might it go in the next 5 years?

The Brooklyn-based noir-poppers defiantly refuse to re-invent a well-oiled wheel with their ambient third record

From Ethan Hunt's fingerprint-taking vinyl in Mission Impossible to Edna Mode's retina scanner in The Incredibles, biometrics get plenty of

American actress and singer-songwriter’s third studio album reveals a subverted meritocratic inflexion of the American Dream.